Wednesday, May 30, 2018
Thursday, May 24, 2018
Рэйчел Куск «Контур».
Книга Рэйчел Куск «Контур» переносит нас в жаркую Грецию.
Молодая писательница собирается здесь посетить курсы писательского мастерства.
Но благодаря просто общению с людьми, слушая их истории и боль «Контур» первого романа писательницы приобретает все более понятные черты.
Tuesday, May 15, 2018
Автор: Рэйчел Куск
“And of those two ways of living - living in the moment and living outside it - which was more real?”
― Rachel Cusk, Outline
“I would like”, she resumed, “to see the world more innocently again, more impersonally, but I have no idea how to achieve this, other than by going somewhere completely unknown where I have no identity and no associations.”
― Rachel Cusk, Outline
- Rachel Cusk – биография, книги, отзывы, цитаты
Молодая писательница собирается здесь посетить курсы писательского мастерства.
Но благодаря просто общению с людьми, слушая их истории и боль «Контур» первого романа писательницы приобретает все более понятные черты.
Tuesday, May 15, 2018
Автор: Рэйчел Куск
“And of those two ways of living - living in the moment and living outside it - which was more real?”
― Rachel Cusk, Outline
“I would like”, she resumed, “to see the world more innocently again, more impersonally, but I have no idea how to achieve this, other than by going somewhere completely unknown where I have no identity and no associations.”
― Rachel Cusk, Outline
- Rachel Cusk – биография, книги, отзывы, цитаты
Rachel Cusk.
- Rachel Cusk Gut-Renovates the Novel | The New Yorker
In Rachel Cusk’s most recent novels, “Outline” and “Transit,” a British writer named Faye encounters a series of friends and strangers as she goes about her daily life. She is recently divorced, and while her new flat is being renovated her two sons are living with their father. There is something catlike about Faye—an elusiveness that makes people want to detain her, and a curiosity about their pungent secrets. They tell her their histories, and she listens intently. As these soliloquies unspool, a common thread emerges. The speakers suffer from feeling unseen, and in the absence of a reflection they are not real to themselves. Faye shares their dilemma. “It was as if I had lost some special capacity to filter my own perceptions,” she says. But she lends herself as a filter to her confidants, and from the murk of their griefs and sorrows, most of which have to do with love, she extracts something clear—a sense of both her own outline and theirs.
In Rachel Cusk’s most recent novels, “Outline” and “Transit,” a British writer named Faye encounters a series of friends and strangers as she goes about her daily life. She is recently divorced, and while her new flat is being renovated her two sons are living with their father. There is something catlike about Faye—an elusiveness that makes people want to detain her, and a curiosity about their pungent secrets. They tell her their histories, and she listens intently. As these soliloquies unspool, a common thread emerges. The speakers suffer from feeling unseen, and in the absence of a reflection they are not real to themselves. Faye shares their dilemma. “It was as if I had lost some special capacity to filter my own perceptions,” she says. But she lends herself as a filter to her confidants, and from the murk of their griefs and sorrows, most of which have to do with love, she extracts something clear—a sense of both her own outline and theirs.
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